Overall impression:
Actor
dialogues
writer
dramaturgy
Innovation
camera / lens
Soundtrack
CINEtologisches Conclusion:
this thirst defeating not abstinence!
Speaking of abstinence: It seems to me that a little on the equipment saved, if I was the coarseness of the images on the screen from the top row of the stalls once have looked closer. Especially in scenes that were recorded in the (semi) dark, makes the very noticeable - and there are in a film that is the name We the night with, expected to be enough.
even more regrettable is when some really good effects (for example, the Glutpartikel the ritual burned to a vampire female) by poorly choreographed fight scenes (still more negative in memory: the showdown between elderly and - literally - very young vampire lady) to be qualified .
really positive as I can only assess the actresses constellation as a whole and also the respective individual performances of Karoline Herfurth , Nina Hoss and Jennifer Ulrich and Anna Fischer . The writer of the pampered luxury ladies who stand up for bloody emancipation (and less pimping) in the night, had a little more depth can be well tolerated. And a little less clumsy love origination.
I got an over-ambitious, unfortunately in camera technically deficient German film to an already more than fully drawn (just like this half-hearted play on words) Subject before the lens, I could not convince the actresses also. Too bad, Mr. Gansel , who but for such a great German films as Before the Fall - are Hitler's Elite or The wave responsible.
voices from the Blog Coop osphäre :
Movie Jones : 7 / 10
NEGATIVE " Gansel visually quite impressive film is set to display values: good-looking actresses in beautiful backdrop. Technically perfectly realized, but he lacks the emotional depth. This is a fun Film, which might well be longer allowed. And hope it does not might have been the last German entry in the genre cinema "
film Go : ." After the many Schnulzeinlagen from author Stephanie Meyer's 'We are the night' once again a valuable contribution to the vampire genre . The film never stops too long in a scene, it avoids creating boring moments. Director Dennis Gansel holds the quality he has presented us with "The Wave", this mixed here with a touch of Hollywood popcorn feeling. Overseas, the German director could disappear soon, if he still delivers entertaining films of this kind. "
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